Acrylic Rabbit Objet
Irreverence is a design philosophy at Jonathan Adler, and the Acrylic Rabbit Objet channels that spirit fully. As much a declaration of taste as a decorative accent, it is crafted to earn its place on any surface through genuine material quality and the kind of form that rewards repeated attention.
Behind the wit and drama lies a serious commitment to material quality. Brass accents are finished to exacting tolerances. Lacquered finishes are applied in successive coats, each sanded smooth before the next, producing genuine surface depth. Lucite elements are polished to optical clarity—craft standards that reward close examination as much as the first dramatic impression.
This piece works best in rooms committed to visual richness—layered patterns, confident colors, materials chosen for character. Jonathan Adler's philosophy holds that restraint is overrated and a home filled with objects of genuine personality is far more interesting than one devoted to minimalist uniformity. This piece is a full-throated standard-bearer for that rewarding conviction.
This is a Jonathan Adler piece in the truest sense: something making the room it enters more interesting, more alive, and more distinctly personal. It carries the brand's conviction that great design generates joy—not just admiration—and that the objects we live with should genuinely delight us every day.
Original: $925.00
-65%$925.00
$323.75More Images
Acrylic Rabbit Objet
Irreverence is a design philosophy at Jonathan Adler, and the Acrylic Rabbit Objet channels that spirit fully. As much a declaration of taste as a decorative accent, it is crafted to earn its place on any surface through genuine material quality and the kind of form that rewards repeated attention.
Behind the wit and drama lies a serious commitment to material quality. Brass accents are finished to exacting tolerances. Lacquered finishes are applied in successive coats, each sanded smooth before the next, producing genuine surface depth. Lucite elements are polished to optical clarity—craft standards that reward close examination as much as the first dramatic impression.
This piece works best in rooms committed to visual richness—layered patterns, confident colors, materials chosen for character. Jonathan Adler's philosophy holds that restraint is overrated and a home filled with objects of genuine personality is far more interesting than one devoted to minimalist uniformity. This piece is a full-throated standard-bearer for that rewarding conviction.
This is a Jonathan Adler piece in the truest sense: something making the room it enters more interesting, more alive, and more distinctly personal. It carries the brand's conviction that great design generates joy—not just admiration—and that the objects we live with should genuinely delight us every day.
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Description
Irreverence is a design philosophy at Jonathan Adler, and the Acrylic Rabbit Objet channels that spirit fully. As much a declaration of taste as a decorative accent, it is crafted to earn its place on any surface through genuine material quality and the kind of form that rewards repeated attention.
Behind the wit and drama lies a serious commitment to material quality. Brass accents are finished to exacting tolerances. Lacquered finishes are applied in successive coats, each sanded smooth before the next, producing genuine surface depth. Lucite elements are polished to optical clarity—craft standards that reward close examination as much as the first dramatic impression.
This piece works best in rooms committed to visual richness—layered patterns, confident colors, materials chosen for character. Jonathan Adler's philosophy holds that restraint is overrated and a home filled with objects of genuine personality is far more interesting than one devoted to minimalist uniformity. This piece is a full-throated standard-bearer for that rewarding conviction.
This is a Jonathan Adler piece in the truest sense: something making the room it enters more interesting, more alive, and more distinctly personal. It carries the brand's conviction that great design generates joy—not just admiration—and that the objects we live with should genuinely delight us every day.
