Acrylic Hippo Objet
Irreverence is a design philosophy at Jonathan Adler, and the Acrylic Hippo Objet channels that spirit fully. As much a declaration of taste as a decorative accent, it is crafted to earn its place on any surface through genuine material quality and the kind of form that rewards repeated attention.
The craft behind Jonathan Adler reflects decades of hands-on studio work. Brass fixtures are hand-finished for warmth; lacquered surfaces build in careful layers for depth; upholstery is executed in fabrics chosen for visual presence as much as comfort. Every material choice supports the overall design intention, producing objects that reward touch as readily as they reward sight.
This piece works best in rooms committed to visual richness—layered patterns, confident colors, materials chosen for character. Jonathan Adler's philosophy holds that restraint is overrated and a home filled with objects of genuine personality is far more interesting than one devoted to minimalist uniformity. This piece is a full-throated standard-bearer for that rewarding conviction.
What distinguishes Jonathan Adler is the seriousness of the craft behind the visual boldness. This piece is as carefully made as it is dramatically conceived, ensuring it remains as compelling on the hundredth encounter as it was on the first—which separates lasting design from mere decoration that fades quickly.
Original: $850.00
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$297.50More Images
Acrylic Hippo Objet
Irreverence is a design philosophy at Jonathan Adler, and the Acrylic Hippo Objet channels that spirit fully. As much a declaration of taste as a decorative accent, it is crafted to earn its place on any surface through genuine material quality and the kind of form that rewards repeated attention.
The craft behind Jonathan Adler reflects decades of hands-on studio work. Brass fixtures are hand-finished for warmth; lacquered surfaces build in careful layers for depth; upholstery is executed in fabrics chosen for visual presence as much as comfort. Every material choice supports the overall design intention, producing objects that reward touch as readily as they reward sight.
This piece works best in rooms committed to visual richness—layered patterns, confident colors, materials chosen for character. Jonathan Adler's philosophy holds that restraint is overrated and a home filled with objects of genuine personality is far more interesting than one devoted to minimalist uniformity. This piece is a full-throated standard-bearer for that rewarding conviction.
What distinguishes Jonathan Adler is the seriousness of the craft behind the visual boldness. This piece is as carefully made as it is dramatically conceived, ensuring it remains as compelling on the hundredth encounter as it was on the first—which separates lasting design from mere decoration that fades quickly.
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Description
Irreverence is a design philosophy at Jonathan Adler, and the Acrylic Hippo Objet channels that spirit fully. As much a declaration of taste as a decorative accent, it is crafted to earn its place on any surface through genuine material quality and the kind of form that rewards repeated attention.
The craft behind Jonathan Adler reflects decades of hands-on studio work. Brass fixtures are hand-finished for warmth; lacquered surfaces build in careful layers for depth; upholstery is executed in fabrics chosen for visual presence as much as comfort. Every material choice supports the overall design intention, producing objects that reward touch as readily as they reward sight.
This piece works best in rooms committed to visual richness—layered patterns, confident colors, materials chosen for character. Jonathan Adler's philosophy holds that restraint is overrated and a home filled with objects of genuine personality is far more interesting than one devoted to minimalist uniformity. This piece is a full-throated standard-bearer for that rewarding conviction.
What distinguishes Jonathan Adler is the seriousness of the craft behind the visual boldness. This piece is as carefully made as it is dramatically conceived, ensuring it remains as compelling on the hundredth encounter as it was on the first—which separates lasting design from mere decoration that fades quickly.
